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The James Bond Book Club Selection For March 2026 Is Gunner

This month, we’re stepping into the fog‑choked streets of wartime Glasgow and recommending the fierce new crime classic, Gunner, by Alan Parks. First published in 2025 and now gaining recognition as a compelling blend of historical thriller and noir, Gunner introduces us to a different kind of operative – one forged in the brutal crucible of the Second World War.

OVERVIEW

It is 1941 and the titular Joseph Gunner has returned to his hometown after being injured on the front lines in France.  His arrival coincides with the Luftwaffe bombing of his city.  The places and people have changed, some unrecognizably so, although some things never change: he has barely stepped off the train in Glasgow when he is approached by his old boss, Detective Inspector Drummond. Gunner was a policeman (or ‘polis’) before the war and now Drummond needs his help with a new case.  A body has been found in the bomb wreckage, one not killed by the Luftwaffe, but rather mutilated and disfigured.  So begins a mystery that will take Gunner through rubble-strewn streets, grimy but steadfast pubs and into the prisoner of war camps – where an even greater, and stranger, mystery awaits.

WHY WE CHOSE IT

Fans of Ian Fleming will appreciate Gunner’s link to real‑world intrigue: Joseph Gunner’s story is partly inspired by real events from wartime Glasgow, including the mysterious flight of Rudolf Hess in 1941. Just as Fleming drew on his own intelligence experience to shape James Bond, Alan Parks weaves historical fact with thrilling fiction, creating a world where danger and secrecy feel entirely real.

It’s a rare glimpse into a world where courage and survival aren’t just literary devices, they were the reality for those living under constant threat. For readers who love James Bond, this is the kind of historical spy fiction that makes the danger tangible.

THEMES TO CONSIDER

War and trauma. How do Gunner’s physical and emotional wounds shape his every decision?

Power and corruption. What happens when espionage meets street‑level brutality, and friend and foe aren’t always distinguishable?

Identity under pressure. How are we tested when the world is at its most dangerous?

History as character. The Blitz isn’t just a backdrop, how does it permeate and shape the story?

REVIEWS

The Guardian – ‘A gritty, immersive, genuine page‑turner … meticulously researched.’

The Times ‘One of the greatest Scottish writers

Peter James – ‘Great storytelling … a vivid sense of place and time.’

Vaseem Khan – ‘A lean, mean, and ruthlessly readable thriller.’

Andrew Taylor – ‘A superb thriller with a gripping, constantly surprising plot.’

ABOUT ALAN PARKS

Alan Parks is an acclaimed Scottish crime writer whose award‑winning novels are praised for their realism, rich atmospheres and complex characters. With Gunner, he blends historical depth with a gripping thriller sensibility, giving readers a world both vividly realized and relentlessly suspenseful. He is also the author of the Harry McCoy thrillers, which feature a world-weary and morally-questionable detective stomping around 1970s Glasgow, which is where Parks works and lives now. Before beginning his writing career, Parks worked for twenty years in the music industry.

We hope you enjoy Gunner. Follow our social channels for discussions, highlights, and more.

The James Bond Book Club Selection For February 2026 Is Fatale

Do you really need a licence to kill… to kill? This month at the James Bond Book Club, we’re diving into the darker corners of crime fiction and celebrating the reissuing of Jean-Patrick Manchette’s bloodthirsty thriller, Fatale. First released in 1977 and now recognised as a cornerstone of modern noir, Fatale is a ruthless, razor-sharp novel that strips the thriller down to its bare essentials.

We couldn’t wait to get our hands on this gorgeous new edition just published by Vintage Classics.

OVERVIEW

Aimée Joubert is a mysterious woman who arrives in a decaying French port town with no visible past and a quiet sense of purpose. She slips easily into the community, cultivating acquaintances and trust, all the while preparing a meticulously planned act of violence.

As her presence begins to destabilise the town’s corrupt ecosystem of businessmen, politicians, and criminals, Manchette unfolds a story that is as much about power and rot as it is about murder. Told with icy precision, the novel moves inexorably toward its conclusion, revealing how fragile social order becomes when confronted by someone who refuses to play by its rules.

What unfolds is not a traditional thriller, but a cold and unsettling study of control and destruction.

WHY WE CHOSE IT

At Ian Fleming Publications we are drawn to stories that interrogate the figure of the professional killer – and Fatale offers one of the most bracing reframings of that role.

Like Bond, Aimée Joubert is a highly trained operative who kills on demand, operates behind carefully constructed identities, and moves through international spaces with lethal efficiency. But where Bond’s violence is embedded within the narrative authority of the state, Fatale, published in the late 1970s, arrives after that framework has begun to fray.

Aimée operates in a world where ideology offers no shelter, and professionalism is stripped of meaning. This shift in perspective is what makes Fatale so unsettling. By presenting a figure recognisably close to the spy archetype, yet removing the moral scaffolding that traditionally surrounds it, Manchette exposes the mechanics of violence without reassurance or redemption. There are no heroes here.

THEMES TO CONSIDER

Detachment. Aimée’s precision raises unsettling questions about violence as labor and what happens when skill is divorced from morality.

Power and corruption. The novel dissects a town and a time characterised by greed.

Identity as performance. Like the best espionage fiction, Fatale explores how personas are constructed.

Gender and control. Aimée subverts expectations, weaponising others’ assumptions and exposing the vulnerabilities beneath masculine authority.

REVIEWS

The Times ‘France’s king of noir fiction…he writes with a bleak, tragic beauty.’

Big Issue ‘Shocking, funny, sad, smart and cool… A macabre delight from start to finish.’

Complete Review ‘A fist between the eyes, leaving the reader reeling… So devastating it takes your breath away.’

The Economist ‘Manchette’s books are all action, unfolding with a laconic efficiency that would make his killers proud.’

New York Times ‘I’d rather read Manchette than many contemporary noir writers.’

Jean-Patrick Manchette (1942–1995) was a French novelist, critic and screenwriter and a central figure in the néo-polar movement. His crime fiction fused hard-boiled American noir with radical political critique and his work is credited with reshaping the genre for a European and global audience. Fatale stands as one of his most refined and uncompromising works.

We hope you enjoy Fatale. Follow our social channels for discussions, highlights, and more.