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The 2026 CWA Dagger Longlists

‘There is only one recipe for a best-seller and it is a very simple one. You have to get the reader to turn over the page.’

Ian Fleming

​Ian Fleming Publications are proud to sponsor the Crime Writer’s Association’s Ian Fleming Steel Dagger Award, an annual literary prize for the best thriller published in the UK. Eligible books in this category are thrillers set in any period and include, but are not limited to, spy fiction, noir thrillers and action-adventure stories.​ Past winners include Gillian Flynn, Mick Herron, Robert Harris and Karin Slaughter.

The longlists for the 2026 Daggers have just been unveiled, so take a look at which titles are in the running for the Steel Dagger below.


The Midnight King by Tariq Ashkanani 

Lucas Cole is a bestselling writer. He is also a father, a widower, and a beloved celebrity in his small town. He is an unassuming man ­- tall, thin and quietly friendly. Lucas Cole is also a serial killer.

Nathan Cole has known the truth about his father since he was ten years old. Too terrified to go to the police, he ran away from home as soon as he was able, carrying the guilt of leaving his sister behind. But when Lucas is found dead in a dingy motel room, Nathan returns to his childhood home for the first time in seventeen years. It’s there he finds The Midnight King, his father’s final unpublished manuscript, a fictionalised account of his hideous crimes, hidden in a box of trinkets taken from his victims. Trinkets that include a ribbon belonging to a missing eight-year-old girl who disappeared only days before his father’s death.

Now, Nathan must deal with the consequences of keeping his father’s secret. But it may not be as simple as finding a lost child. For The Midnight King holds Nathan’s secrets as well as Lucas’s, and he is not the only one searching for the truth…

The Ghostwriter by Julie Clark

June, 1975.

The Taylor family shatters in a single night when two teenage siblings are found dead in their own home. The only surviving sibling, Vincent, never shakes the whispers and accusations that he was the one who killed them. Decades later, the legend only grows as his career as a horror writer skyrockets.

Ghostwriter Olivia Dumont has spent her entire professional life hiding the fact that she is the only child of Vincent Taylor. Now on the brink of financial ruin, she’s offered a job to ghostwrite her father’s last book. What she doesn’t know, though, is that this project is another one of his lies. Because it’s not another horror novel he wants her to write.

After fifty years of silence, Vincent Taylor is finally ready to talk about what really happened that night in 1975.

King of Ashes by S. A. Cosby

Roman Carruthers left the smoke and fire of his family’s crematory business behind in his hometown of Jefferson Run, Virginia. He is enjoying a life of shallow excess as a financial adviser in Atlanta until he gets a call from his sister, Neveah, telling him their father is in a coma after a hit-and-run accident.

When Roman goes home, he learns the accident may not be what it seems. His brother, Dante, is deeply in debt to dangerous, ruthless criminals. And Roman is willing to do anything to protect his family. Anything.

A financial whiz with a head for numbers and a talent for making his clients rich, Roman must use all his skills to try to save his family while dealing with a shadow that has haunted them all for twenty years: the disappearance of their mother when Roman and his siblings were teenagers. It’s a mystery that Neveah, who has sacrificed so much of her life to hold her family together, is determined to solve once and for all.

As fate and chance and heartache ignite their lives, the Carruthers family must pull together to survive or see their lives turn to ash. Because, as their father counseled them from birth, nothing lasts forever. Everything burns.

The Big Empty by Robert Crais 

Traci Beller was only thirteen when her father disappeared in the sleepy town of Rancha, not far from Los Angeles. The evidence says Tommy Beller abandoned his family, but Traci never believed it. Now a super-popular influencer with millions of followers, she finally has the money to hire a new detective to uncover the truth. And that detective is Elvis Cole.

Taking on a ten-years-cold missing person case is almost always a losing game, though Elvis quickly picks up a lead in Rancha when he learns that an ex-con named Sadie Givens and her daughter Anya might have a line on the missing man. But when he finds himself shadowed by a deadly gang of vicious criminals, the case flips on its head. Victims become predators, predators become prey, and when everyone is a victim, will it be possible to save them all?

Calling on the help of his ex-Marine friend, Joe Pike, Elvis follows Tommy Beller’s trail into the twisted, nightmarish depths of a monstrous evil, even as what he finds tests his loyalty to his clients, and to himself. But the truth must come out, no matter the cost.

The Death of Us by Abigail Dean 

Isabel and Edward meet as teenagers.

When she tells him she loves him, it feels like the bravest thing she’s ever done.

But years later, a stranger walks into their home and tears their world apart.

This is where their story really begins.

The Chemist by A. A. Dhand

Local pharmacist and pillar of the community, Idris Khan, spends his days doling out methadone to the hundreds of addicts in his care. They trust Idris with their secrets, and so he knows more than his mild manner suggests. So when his childhood sweetheart, Rebecca, doesn’t turn up for her daily methadone dose, Idris is worried. Worried enough to go looking for her in the most deprived area of Leeds, alone.

The mess Idris finds catapults him into the middle of a turf war between the two most powerful drug cartels in Yorkshire. Now, he must use every bit of intelligence and cunning he has to keep those he loves safe.

Because a war is on the way. And when Idris goes after his enemies, they won’t see him coming. 

A Dead Draw by Robert Dugoni

Detective Tracy Crosswhite isn’t one to lose her cool. Until her interrogation of the taunting and malicious Erik Schmidt, a suspect in two cold case killings. Schmidt also has unnerving ties to the monster who murdered Tracy’s sister, stirring memories of the crime that shaped Tracy’s life. After a critical mistake during a shooting exercise, Tracy breaks.

Haunted by nightmares and flashbacks, Tracy heads to her hometown of Cedar Grove to refocus. Just a peaceful getaway with her husband, her daughter, and their nanny at their weekend house. But Tracy’s sleepless nights are only beginning. A legal glitch has allowed Schmidt to go free. And Tracy has every reason to fear that he’s followed her.

Forced into a twisted game of cat and mouse, Tracy must draw on all her training, wits, and strength to defeat a master criminal before he takes away everyone Tracy loves.

A Sting in Her Tale by Mark Ezra

When retired former spy Felicity Jardine’s mission to drown herself is interrupted by a baby drifting down river, her training kicks in at once. She manages to save the baby, and conceals them both from the shady-looking man who is searching for it.

Then an elderly neighbour to whom she bears a resemblance is found dead, and Felicity knows she’s been rumbled. She has to dust off the highly trained and resourceful secret service officer she used to be, ensure the safety of the baby, and re-enter the fray.

She can count on the help of two former MI6 colleagues to identify the murderer and find out exactly what’s going on. But Felicity will soon realise that her work in 1970s Germany and her present are entangled – and she will have to face some hard truths before she can confront the demons of her past. 

Burying Jericho by William Hussey

While Scott Jericho is tasked with investigating the most baffling case of his career, his partner Harry is set upon his own fateful path.

In a rundown seaside town, a young man has vanished without a trace. Jericho’s investigation of this disappearance will unravel a diabolical plot and expose a secret long buried. A secret hinted at by the paper men hanging from the trees in a nearby wood, by the ravings of the local ‘wise woman’, and by the eerie waxworks of a defunct fairground attraction.

As fates collide and an impossible murder is executed, a twisted killer from the past is closing in on Harry and Jericho. But is it already too late for Jericho to save himself and the man he loves? 

Such Quiet Girls by Noelle W. Ihli

ONE HIJACKED BUS.

New driver Jessa is desperate for her shift to run smoothly to avoid exposing her job-application lies. Twelve-year-old passenger Sage just wants to get home, exhausted from watching over her little sister, Bonnie. But disaster strikes when their bus is hijacked in broad daylight. For the innocent souls onboard, the nightmare is only just beginning . . .

TEN FRIGHTENED CHILDREN.

Trapped inside a shipping container buried 20 feet underground, the captives are promised they’ll be freed once a ransom is paid to the hijackers. But Jessa and Sage aren’t sure they’ll last that long. It’s dark and cramped – and, as every minute passes, it’s becoming harder to breathe.

A DEADLY RACE AGAINST THE CLOCK . . .

With time – and air – running out, can they team up to outsmart their captors? Or are they doomed to an unthinkable fate?

The Good Father by Liam McIlvanney 

Gordon and Sarah Rutherford are normal, happy people with rich, fulfilling lives. They have a son they adore, a house on the beach and a safe, friendly community in a picture-postcard town.

Until, one day, Bonnie the labrador comes in from the beach alone. Their son, Rory, has gone – the only trace left behind is a single black sandal.

Their lives don’t fall apart immediately. While there’s still hope, they dig deep and try to carry on.

But as desperation mounts, arms around shoulders become fingers pointed – at friends, family, strangers, each other. Without any answers, only questions remain. Who can they trust? How far will they go to find out what happened to Rory?

And the deadliest question of all: what could be worse than your child disappearing?

When the truth begins to emerge, they find themselves in a world they could barely have imagined.

We Are All Guilty Here by Karin Slaughter 

Welcome to North Falls. A small town where everyone knows everyone. But nobody knows the truth.

Emmy Clifton has lived here all her life. She thinks she knows her neighbours. She’s wrong.

She thinks it’s just another hot summer night: a night like any other. She’s wrong.

When her best friend’s daughter asks for help, she thinks it’s just some teenage drama. She thinks it can wait. She’s never been more wrong in her life.

As the town ignites in the wake of the girl’s disappearance, Emmy throws herself into the search. But then she realises: You never really know a town until you know its secrets.

Is Emmy ready for the truth?


Find the longlists for the rest of the Daggers here, and learn about the previous shortlists and winners of the Ian Fleming Steel Dagger here.

Steel Dagger Recommendation: Stuart Neville’s Blood Like Mine

Looking for the your latest read? Meet Stuart Neville, author of Blood Like Mine, shortlisted for the Ian Fleming Steel Dagger literary prize at the annual Crime Writers’ Awards which celebrates the best in new thriller writing.

Tell us about Blood Like Mine and what inspired you to tell this story?

Blood Like Mine is about a mother and daughter on the run from a terrible secret. When an FBI agent finally tracks them down, he finds that Rebecca Carter will do anything to protect her daughter Moonflower, even if she’s a monster. I’ve always enjoyed the gray area between thriller and horror, and with this book, I wanted to take one of the oldest horror tropes and use the thriller format to treat it in a realistic way.

What do you hope readers will take away from your book?

First and foremost, I want readers to keep turning the pages into the small hours, and maybe have a few scares along the way. But ultimately, I hope they’ll see the core theme is the unyielding devotion of being a parent, even in the most desperate circumstances.

How did it feel to be on the shortlist for the CWA Ian Fleming Steel Dagger?

It’s a tremendous honour: it feels like a validation of all the weeks and months that goes into writing a novel.

What is your writing process?

I didn’t used to outline my books, but as the years have gone on, I find it more necessary to map out where I’m going with a story. I’ll start with a broad structure then extrapolate from there. The actual writing tends to come in bursts; there’ll be a few weeks where I’m writing thousands of words, then a few weeks when it slows to a trickle. If I could change anything, it would be to be more consistent.

What is your favourite thriller and why?

I think The Silence of the Lambs is the perfect example of a novel and film that straddles the border between horror and thriller. As a thriller it’s perfectly engineered, and although it doesn’t veer into the supernatural, its portrayal of Lecter comes close. Red Dragon, the book that first introduced Lecter, is also in the very top tier of thrillers.

And finally, what advice would you give to aspiring thriller writers?

I’m not a great believer in writing advice because every writer is different, and what works for me won’t necessarily work for someone else. The one bit of advice I always give, however, is not to flog a project to death, and to move onto the next thing. I see too many aspiring writers who complete one manuscript then spend years trying to refine and sell it rather than writing the second book, and third.

Find out more about the Crime Writer’s Awards here and learn more about Stuart Neville here.

Steel Dagger Recommendation: M.W. Craven’s Nobody’s Hero

Looking for the your latest read? Meet M.W. Craven, author of Nobody’s Hero, shortlisted for the Ian Fleming Steel Dagger literary prize at the annual Crime Writers’ Awards, which celebrates the best in new thriller writing. Craven is also writing our new James Bond and the Secret Agent Academy series for younger readers, due out in 2026.

Can you tell us about Nobody’s Hero and what inspired you to tell this story?

Nobody’s Hero is the second book in my US-set Ben Koenig series. The first, Fearless, was written ten years earlier, although it wasn’t published until 2023. When I finished writing Fearless, I spent time thinking about what a sequel might look like should it ever see the light of day. I knew I’d want to go bigger and badder, in both scope and action (and humour); and a plot revolving around a well-resourced, highly motivated group hoping to irrevocably destroy the United States fit the bill perfectly. Impossible odds, bone-crunching action and a spattering of inappropriate humour. I think Ian Fleming would have approved . . .

What do you hope readers will take away from your book?

My job as a thriller author is simple – I am supposed to entertain the reader. If I’ve done that, I’ve achieved my goal. If I haven’t, I’ve failed. I like to throw in interesting, but mostly useless facts, I like to offer some light social commentary, and I like to make readers laugh when they’re not really supposed to. But mostly when they reach the end of one of my books, I want them to have enjoyed it.

How does it feel to be on the shortlist for the CWA Ian Fleming Steel Dagger?

As always, it feels astonishing to have even been considered. And as the longlist this year was one of the strongest I’ve seen for a long time, just making it onto the shortlist feels like a real achievement. Roll on awards night.

What is your writing process?

I write Monday-to-Friday (weekends if I’m on a roll or nearing a deadline) and I pretty much stick to the same routine. I get up, have coffee and think about what I’ll be writing that day. At ten a.m. (ish) I start and I don’t finish until around five or six p.m. I don’t use any writing tools other than my trusty MacBook Air, and my notes, which include research, lines of dialogue, prose, plot points etc, are kept in rough chronological order in a lever arch file. I have an idea of where the story is going, but it often deviates as more interesting directions occur to me. With Nobody’s Hero, the major deviation from the original plan occurred right at the end (a twist that kind of worked perfectly and set up interesting scenarios for future books), pretty much the last page. I then had to retrofit the changes I wanted in the next draft.

What is your favourite thriller and why?

It’s either Dr. No by Ian Fleming or The Day of the Jackal by Frederick Forsythe. Dr. No because it was Fleming going all in with the sadistic nature of his villain. I don’t think there’s a thriller writer, past or present, who writes villains like Fleming – Julius No, Auric Goldfinger, Blofeld, Hugo Drax (who cheats at cards, you know), all iconic, all eternally memorable. And The Day of the Jackal because it’s technically flawless and a stunning example of what can be achieved using real world events.

And finally, what advice would you give to aspiring thriller writers?

Don’t be daunted by what has come before you. Don’t try to copy what has come before you. And most importantly, don’t be limited by what has come before you. It’s fiction – you can write whatever the hell you want. There are no rules when it comes to thrillers and if someone tells you otherwise throw onions at them until they go away.

Check out the book for yourself. Find out more about the Crime Writer’s Awards here.

Steel Dagger Recommendation: Lou Berney’s Dark Ride

Looking for the your latest read? Meet Lou Berney, author of Dark Ride, shortlisted for the Ian Fleming Steel Dagger literary prize at the annual Crime Writers’ Awards which celebrates the best in new thriller writing.

Tell us about Dark Ride and what inspired you to tell this story?

Dark Ride is about a grievously ill-equipped and out-matched thriller hero. I often feel like a grievously ill-equipped and out-matched thriller writer, so it seemed like a good fit. I’m a fan of the underdog!

What do you hope readers will take away from your book?

The big idea behind Dark Ride, for me, is that acts of heroism can be complicated. In real life, there’s often a price to be paid for doing the right thing – and understanding what the right thing is isn’t always clear.

How did it feel to be on the shortlist for the CWA Ian Fleming Steel Dagger?

It’s a huge honor and very humbling since I’m a big fan of the other authors on the shortlist.

What is your writing process?

I do lots of brainstorming, lots of outlining, lots of preparing to draft. And then, once I start drafting, a lot of that goes out the window and – I hope! – I follow the characters where they lead me.

Book cover for Dark Ride by Lou Berney

What is your favourite thriller and why?

Truly impossible to name just one, so here are three (also truly impossible): Case Histories, by Kate Atkinson; In a Lonely Place, by Dorothy B. Hughes; and Devil in a Blue Dress, by Walter Mosley.

And finally what advice would you give to aspiring thriller writers?

Make sure, on every page, there’s a burning question the reader wants answered.

Check out Lou’s book for yourself. Find out more about the Crime Writer’ Awards here.

Steel Dagger Recommendation: Garry Disher’s Sanctuary

Looking for the your latest read? Meet Garry Disher, author of Sanctuary, shortlisted for the Ian Fleming Steel Dagger literary prize at the annual Crime Writers’ Awards – which celebrates the best in new thriller writing.

Tell us about Sanctuary

I’ve always been interested in crime-from-the-inside novels. I’ve written a series featuring an armed hold-up man named Wyatt, for example. Readers tell me, ‘I don’t approve of Wyatt, but I want him to win’—which is exactly my intention. Grace, the main character in Sanctuary, is a kind of female Wyatt, and first appeared as a minor thief in Blood Moon, one of my Challis and Destry police procedurals. She wouldn’t leave me alone afterwards; she demanded her own story. In Sanctuary she’s trying to go straight, and finds work selling antiques, but a hard man from her past is looking for her, and a violent ex-husband is looking for her boss, and Grace finds herself drawing on old skills to survive.

What do you hope readers will take away from your book?

In all of my crime fiction I try to place the events in the context of prevailing social tensions rather than pretend they occur in a bubble, and so we see, in Sanctuary, the effects of toxic masculinity, greedy influencers, conmen and domestic violence. I don’t believe in preaching, of course: the story comes first.

How did it feel to be on the shortlist for the CWA Ian Fleming Steel Dagger?

I’ve won several Australian and German best-crime-novel awards over the years, but somehow this shortlisting is more fulfilling—mainly because it’s the Steel Dagger but also because, until recently, I’d not had a sense of a readership in Australia, let alone anywhere else, and it’s been gratifying to find new readers, and recognition, in the UK. Also, I was an Earls Court Aussie, back in the 1970s. We were always made welcome—but with a faint tinge of ‘dumb colonials.’ This Steel Dagger shortlisting is my revenge.

What is your writing process?

I write from 8 a.m. until noon, six days a week, and in that time might write several pages or only a paragraph. I write longhand, for I can’t think through a keyboard, with lots of crossings-out, notes-to-self and, arrows and asterisks, often typing (editing and rewriting as I go) the morning’s work into my desktop computer in the afternoons. I’m also a planner, spending weeks on the plan until the whole book is in my head—but I’m not a slave to it, I’m always alert for the voice at the back of my head, the tap on my shoulder.

What is your favourite thriller and why?

The Butcher’s Boy, by Thomas Perry, first published in 1982 and winner of an Edgar Award. I read everything Perry writes, from his standalones to his Jane Whitefield series, featuring a character who helps people escape from those who mean them harm. The main character of The Butcher’s Boy is a hired killer cheated out of his fee for killing a senator. While seeking redress he’s tracked by a young Justice Department analyst. Perry’s books are always soundly researched, the actions are convincing, and the writing, though plain, is tense and efficient.

And finally, what advice would you give to aspiring thriller writers?

Read widely until you have a good sense of the widely differing approaches of seasoned writers to storylines, settings, style and characters. Don’t feel that your own approach has to be utterly original: boy-meets-girl has been told over and over again in romance fiction, for example. But you should write a story that matters to you, that you have faith in, that perhaps only you could tell, rather than a copy of the latest bestseller. Do solid research (but wear it lightly) and ensure that your main character saves the day rather than chance, coincidence or the cavalry riding to the rescue. And write: don’t think or say that you’re going to write.

Check out his book for yourself. Find out more about the Crime Writers’ Awards here.

Steel Dagger Recommendation: Don Winslow’s City In Ruins

Looking for the your latest read? Meet Don Winslow, author of City In Ruins, shortlisted for the Ian Fleming Steel Dagger literary prize at the annual Crime Writers’ Awards which celebrates the best in new thriller writing. City On Fire, the first of the trilogy, is being made into a film, starring Austin Butler, made by Sony 3000 Pictures and produced by Butler, David Heyman and Shane Salerno. 

Tell us about City in Ruins

City in Ruins is the third part of a trilogy that retells elements from the Aeneid, Odyssey, Iliad and some Greek tragic dramas in a contemporary crime setting. It finishes the story of Danny Ryan, whom we first meet as a minor player in a war being fought between the Irish and Italian mobs in New England, and who, in this final instalment, is building a gaming empire in Las Vegas.

What do you hope readers will take away from your book?

I hope a strong sense of character and story. I tried to portray real, vivid human beings (albeit drawn from the aforementioned classics) with real lives, hopes, fears and loves. I should hasten to add that it doesn’t matter if the reader has no knowledge of or interest in these classics, that I hope the novels stand on their own. As always, I want the reader to be drawn in by both the characters and the story.

How did it feel to be on the shortlist for the CWA Ian Fleming Steel Dagger?

Of course, it feels great. Just to be mentioned in the company of past nominees and recipients, and also to be in the company of my good friend Lou Berney, is more than gratifying. Also, having spent a good part of my life in the UK – over twenty summers in London, Oxford and Cambridge – the nomination is all that more meaningful to me.

What is your writing process?

Pretty dull, actually. I start at 5:30 am and finish around the same time in the evening. I treat it like a job, although it is a job that I love and the one that I’ve always wanted. I don’t outline or create charts; I just sit down and type until the good ideas come. Some days they do, some days they don’t. I also rewrite constantly, going back over chapters to see if I used the best words and have written the best possible dialogue. (There are times when I’m doing public readings where I realize that I haven’t, and make revisions on the fly.)

Book cover for City in Ruins by Don Winslow

What is your favourite thriller and why?

I’m always reluctant to answer this question because there are so many great thrillers out there. But if I absolutely, positively had to choose one, it would be The Friends of Eddie Coyle by George V. Higgins. (Also a great film, by the way, directed by Peter Yates and starring Robert Mitchum.) Why? Well, Higgins was just a great writer – the narrative prose and dialogue are vivid – and it is the most realistic, gritty mob novel ever.

What advice would you give to aspiring thriller writers?

Write. That sounds glib and I don’t mean it to. But writers write. They don’t talk about it, or sit in a coffee shop and think about it, they sit down and write. I also would tell them to do the do-able, not to set unrealistic goals for themselves and then get frustrated. When I was aspiring to do this thing, I committed to write five pages a day no matter what and managed to stick to that. But if you write even one page a day, in a year or so you have a book. Also, read. Read the good stuff in our genre.

Check out the book for yourself and find out more about the Crime Writers’ Awards here.