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‘Shaken, Not Stirred’

Join us as we take a look at the role drinks play in Ian Fleming’s James Bond novels.

It begins in the very first 007 adventure, Casino Royale, with the immortal line, ‘shaken and not stirred’ and The Vesper martini, christened in honour of Bond’s great love, Vesper Lynd. From then on, strong, carefully crafted drinks are at the heart of every 007 story. 

Ian Fleming was very particular about the finer details of his hero’s lifestyle. As well as Bond’s drinking habits, his clothes, weaponry, cars and food are all described with precision, a narrative trait which is perfectly highlighted by his instruction on how to make the perfect martini.

Diamonds Are Forever

‘The waiter brought the martinis, shaken and not stirred, as Bond had stipulated, and some slivers of lemon peel in a wine glass. Bond twisted two of them and let them sink to the bottom of his drink. He picked up his glass and looked at the girl over the rim. “We haven’t drunk to the success of a mission” he said.’

The particular attention that is paid to how eggs should be scrambled, how a car should be customised and how best to serve vodka, are all testament to the writer’s own preferences. Though many have debated how much of Ian Fleming there was in James Bond, there has always been agreement amongst fans that Fleming shared his own tastes and enthusiasms with his character. Along with the advocation of particular brands, these strokes of realism provide a layer of truth and help to bring the fantasy of James Bond’s world to within the readers’ reach. ‘All these small details’, Fleming wrote, ‘are ‘points de repère’ to comfort and reassure the reader on his journey into fantastic adventure.’

Goldfinger

‘James Bond, with two double bourbons inside him, sat in the final departure lounge of Miami Airport and thought about life and death.’

In a feature titled ‘London’s Best Dining’ for Holiday magazine, Fleming provides a tip for American tourists on how to sample a decent martini, showing how much it mattered to him beyond the pages of his novels.

‘It is extremely difficult to get a good martini anywhere in England. In London restaurants and hotels the way to get one is to ask for a double dry martini made with Vodka. The way to get one in any pub is to walk calmly and confidently up to the counter and, speaking very distinctly, ask the man or girl behind it to put plenty of ice in the shaker (they nearly all have a shaker), pour in six gins and one dry vermouth (enunciate ‘dry’ carefully) and shake until I tell them to stop. You then point to a suitably large glass and ask them to pour the mixture in. Your behaviour will create a certain amount of astonishment, not unmixed with fear, but you will have achieved a very large and fairly good Martini.’

Paying attention to exact details are crucial skills for any spy who wants to complete a mission successfully and safely. The life of a secret agent is one of daring action and life-threatening peril.  James Bond’s preference for the finer things in life suggests that when the moments of danger have passed, pleasures should be indulged. Enjoying the very finest dover sole and a glass of chilled champagne provides 007 with a reward and pushes his experiences to the height of sophistication and quality, in those brief respites from danger.

Live and Let Die

‘There are moments of great luxury in the life of a secret agent… occasions when he takes refuge in good living to efface the memory of danger and the shadow of death.’

As well as enjoying the pleasures of drinking, alcohol serves to ease the conscience of a cold blooded killer such as 007, and provides moments of relief in a life of violence and upheaval. Drinks play a soothing role in the James Bond novels and offer a well-earned splash of luxury after a long day spent navigating the dirty business of spying.

Discover 50 cocktails inspired by the characters and plots of the 007 novels in Shaken: Drinking with James Bond and Ian Fleming, created by the team at award-winning Bar Swift in London’s Soho.

Interview: Artist, Kevin Walker

In 2005, Kevin Walker was commissioned to draw the character of a 13-year-old James Bond for Charlie Higson’s first Young Bond adventure, SilverFin. He went on to illustrate a graphic novel of SilverFin in 2008 and cover art for the Young Bond books in the USA. We catch up with the British comic book artist to talk about his process and experiences in the Young Bond world.

Have you always been a James Bond fan? 

Absolutely, Bond is one of those iconic characters, you can’t miss. I came to the novels quite late, but I certainly watched all the movies from a young age. Young Bond was my chance to become a fairly prominent part of the whole James Bond universe.

Which is your favourite Young Bond book?

My favourite of the series is Charlie Higson’s Double or Die. I love the whole setting, with the analytical engine and the communist enemy, the whole feel of it being like one long chase in grim weather. It’s the one where James trashes his Aunt Charmian’s Bentley.

Where did you get your inspiration for the James Bond Origin comic covers?

I can’t take all the credit for that. I was asked to come up with Bond pin-ups that were reminiscent of WWII propaganda posters, and I didn’t want to go too close because the image still has to work as a cover. That’s how I came up with the idea of using the same formal layout design on each illustration.

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What’s your process for creating a cover and how does it differ to illustrating comic strips?

It’s actually the same process: rough sketches, finished pencils, inks and colours, with consultation in between each step. The difference is you don’t have to worry about continuity and narrative flow. You’re trying to tell a story in a single image. You can see the evolution of a piece of cover art here.

Three images showing the evolution of a piece of comic book cover art by Kev Walker. The pictures show a young man in WW2 London on rubble.

Which Young Bond action scene did you most enjoy illustrating? 

It’s where James confronts Mimic in the slum apartment, from Steve Cole’s Red Nemesis.

Where do you work?

I have a converted attic where I’ve been working for the last 10 years. A comfy chair and a table pitched at just the right angle, good lighting, a fan in summer and a heater in winter. I used to be able to work with music, but now I can’t. Any repetitive beat and I stop working and start listening to the music instead. I stream a lot of stuff – documentaries, any weird drama that I can listen to in the background while I work.

 Who inspired you to become and artist? 

The ones that made me want to become an artist in the first place were people like Ralph McQuarrie, Chris Foss, just masses of influences from all over the place. When you realise, as a teenager, that there are plenty of people making a living at it, you have to be single-minded, stubborn and a bit selfish to focus on doing it, despite all the naysayers that tell you you’ll never get a job in art… like my art teachers when I was 12 (and I have that in writing).

What advice would you give to anyone wanting to become a full-time artist?

The trick is to keep doing the things that make you happy, always keep looking, and don’t be afraid to try new things.

 Kev is known for his work on 2000AD and Warhammer comics, Marvel and Magic: The Gathering. Find out more here.